Enquiring Ear

Field recording and found sounds

Category: atmospheres

“Atmospheres” are common to all field recording. Sometimes referred to as “atmos” or “wild-tracks” they provide a context to a recording. “atmospheres” are barely noticed but they are, nevertheless, an integral part of the programme sound.

  • Watersmeet – National Trust

    Watersmeet – National Trust

    Exmoor is a Dark Sky area noted for an absence of light pollution. Soundscapes are much purer1 too, and here at the footbridge to the National Trust’s Watersmeet House the rivers cascade over rocks to join heading west, finding their way to the sea at Lynmouth.

    A surprising number of people who cross the footbridge at SS743487 don’t look up from their phones to see the falls in the header picture. There is poor mobile reception at the Devon County council car park for the site (it’s not a National Trust car park) so perhaps they’re deep in the tribulations of the Ringo mobile parking app2. Reception seemed to improve for them by the bridge.

    The circular walk eastwards along the East Lyn river to the footbridge and back along the other side is a charming mix of little cascades and slower pools, one of these at SS752488 just before the footbridge has a totally different sound

    Watersmeet is a good soundwalk opportunity. I didn’t hear so many birds here, fair enough for midsummer, the forest gives me the feeling this would be a great Spring soundscape.

    1. Largely due to similar reasons: the low population density, but the terrain with deep valleys reduces acoustic spillover. Aircraft noise remains the usual pestilence, with Bristol Airport drawing it in. The terrain slightly helps with that, the high sea cliffs seem to shelter this a little ↩︎
    2. Coins are accepted OK, at the time of writing, take 50ps and 10ps as well as pound coins as it’s odd amounts and o change is given ↩︎
  • early morning Bittern and Geese, Shapwick Heath

    early morning Bittern and Geese, Shapwick Heath

    An early start looking over the reedbeds for some magical birds, the low boom of the Bittern set against some geese.

    Shapwick Heath is reasonably quiet in the morning, a bit further way from busy roads that Westhay, and it’s nice that dogs are not permitted, due to the resident otters.

    Using the big rig, MKH30/40 MS, SD702 decoded to LR stereo

    geographical location on aporee

  • Sidmouth Beach kayakers

    Sidmouth Beach kayakers

    Sidmouth is quite genteel through the week, it livens up a bit towards the weekend. I was recording the sound of the sea on the shingle beach when these kayakers were finishing up. They dragged their kayaks across the beach to get a break to go to get a bite to eat.

    Kayakers training on the sea, apparently transferring between boats!

    Olympus LS14 XY

    A little further to the west the cliffs rise steeply. A path leads round to Chit rocks and to the dog beach and steps to the Jacob’s Ladder cafe.

    Steps leading into the sea

    These steps were a good setting for the sound of the sea close up

    Olympus LS14 XY

  • Ebbor Gorge, Somerset Dawn Chorus

    There’s a welcome reduction in aircraft during the coronavirus pandemic, which means our soundscapes aren’t scarred by the rumble of jets. I listened to the lovely soundscape unfold, with an extract from the early part of the chorus which is more sparse, the later part which is denser and richer in sound.

    It was a lovely expedition to a local nature reserve, and I am intrigued to sample other nearby soundscapes with less human-induced noise. The gorge helps shield the valley from noise, it will be interesting to see if this works on the Somerset Levels as well, which don’t have the protection of lots of limestone rock.

  • International Dawn Chorus Day

    I joined with Locusonus and the Reveil project to broadcast birdsong from near my garden for International Dawn Chorus Day. Due to the coronavirus pandemic the choice of locations was limited. It’s good to appreciate one’s local birds, however, this blackbird sang well after he’d settled down from whatever fright woke him up at the start.

    These mics aren’t the finest – basically cheap Chinese electrets because they’ll be left out in all weathers. IDCD was a still dry day, and the birds could give of their best, with human noise lower than usual. The recording extract starts at at about a quarter to six BST.

  • Winchester Great Hall

    Winchester Great Hall

    Fabulous reverb in Winchester Great Hall with its iconic Round Table, one of the many seats of King Arthur in the British Isles. There are probably as many true Arthurian residences across the UK as there are oldest pubs in the land 😉

    Some visitors wandered over to the door on the left which leads to Queen Eleanor’s Garden and the large door closes with a resounding clang.

  • Winchester Cathedral ambience

    Winchester Cathedral ambience

    The huge imposing structure of Winchester Cathedral has a fantastic long reverberation time

    and some remarkable low-frequency sounds. There is some research suggesting very low frequencies induce a sense of awe, quite appropriate for a cathedral 😉

  • A moment by a Dartmoor Stream

    A lovely little stream near the path to Scorhill stone circle, it was worth a longer recording. Starlings are starting to mass in the Autumn, and they provide some counterpoint to the running water in this binaural recording. Nice not to have to filter anything – straight out of the recorder apart from trimming the timeline and bringing the gain up a little bit.

  • Iona – St Columba Bay

    Iona – St Columba Bay

    This is the supposed landing place for St Columba and his band of 12 monks when they landed in 563. This was first landfall from where they could not see Ireland. It was brave, setting out in a coracle, but God was on their side 😉

    It’s a little bit of a hike from the road. At the end you are rewarded with a bracing breeze and the small bay.

    The Vikings raided the island in 802, arriving on the north beach. The sea sounds different there

  • Storm Ophelia

    Storm Ophelia

    Wind is normally the enemy of sound recordists, but going through some recordings from last year I found this recording of ex-hurricane Ophelia from the 16th October 2017. Ophelia had been pretty nasty originally and was still bad when it got to Ireland.

    I recorded it in Glastonbury in the south-west, by finding a sheltered spot and pointing the mic in a windshield at a bunch of trees, which made a good recording given the wind. The key was that I had good shelter at the mic, but the trees were exposed to the full force of the wind.

    The storm dragged up a load of Saharan dust, making the sky the sickly yellow in the pic.